Cinéma

SmallHD 6″ HD field monitor

Back in april 2010 I ordered the DP6 monitor from SmallHD. At this time I was looking for a monitor with many inputs, good resolutions so you can pull focus seriously, something rugged and finaly, a monitor that accept the HD-SDI input from my video camcorder, the Sony PMW-EX1.

At this time the market was trusted by big companies. Hopefully they do good hardware. On the other side, it’s pricy.
Few years ago I involved myself in creating my own LCD field monitor. While I had a good LCD panel, the electronic board, the G2DI from Winmate, was bad for handling HD-SDI signal. Also, the firmware was closed with no possibility to add anything fancy without either paying Winmate to do it or pay the developper kit…

I had the chance to work in the french movie industry and worked with the more expensive monitors, like the Panasonic BT-LH900, the best screen to date, and some of the ASTRO multi-purpose monitor for digital intermediate (which was my position at this time).

Then came an outsider : a company claiming it can do better and cheaper -> SmallHD

I made a long technical comparison of every monitor that could fit my needs. I’ll try to sum this up here. This roundup is not the one I made back in time but one up to date, now the DP6 is here. Some monitor or brands may be forgoten but they seriously can’t compete. Please comment if I’m wrong.

Field Monitor Comparison
Brand Ikan Ikan SmallHD Panasonic Marshall Swit Carrion
Modele VX7 VX9 DP6 BT-LH900 V-LCD651
STX-3GSDI
any TCHD-01b
Screen Size 7″ 8.9″ 5.6″ 8.4″ 6.5″ 8.4″
resolution 1024 x 600 1024 x 600 1280 x 800 1024 x 768 1024 x 768 800 x 480 1024 x 768
Format 16:9 16:9 16:10 4:3 4:3 4:3
external size 9″ 11.4″ 6″ 11.4″ 8.8″ 10.7″
HD-SDI input 1 1 1 2 1 1 (model C has 2)
HD-SDI passthrough 1 1 1 1 1 1 (model C has 2)
HDMI input 1 1 1 0 0 yes through adapter on DVI input. also have VGA input
HDMI passthrough 0 0 0 0 0 0
Componant 1 1 1 1 1 1
Composite 1 1 1 1 1 1
Flip Screen yes yes yes yes yes yes
Markers yes yes not yet, future upgrade yes yes yes
Focus help Peaking ? Peaking ? Peaking
Color Focus Assist
Peaking Peaking,
focus assist
Not realy, can use sharpness
Exposition help no no False Color, Histogram soon Histogram /
waveform
False Color no
Freeze Frame yes yes yes no yes no
Blue Screen yes yes yes, also monochrome and negative yes yes yes
Buttons lots lots 3 lots lots some
Quick Access Buttons 2 2 2 ? 4 yes (?)
Power 12-20V plug or XLR4
support for many batteries from other brands
12-20V plug or XLR4
support for many batteries from other brand
5-18V with small not locked plug
external power, Canon batteries or special SmallHD batteries lasting 4h and can be charged while used
11-17V XLR4 or V-Mount batteries 12V XLR4 or many battery handlers 12V
Case Plastic Plastic Aluminium, black « unibody » style metal+plastic plastic metal
Bundeled Accessories none in standard version at the time, shoe mount adapter now none in standard version at the time, shoe mount adapter now flash drive for upgrade, power adapter ? none none
Existing Accessories lots lots Sunhood, screen protection, cables, Canon battery plug, SmallHD Batteries, support arm, much more Sunhood, house, rack mount heavy duty
protector,
rackmount,
arm…
none
Firmware Upgrade yes, return to factory yes, return to factory yes, via USB key provided, MAC/PC compatible no ? no ? no
Price 1049$ 1149$ 1299$ 4800$ 1750$
(2100$
normal price)
1750$ with one HD-SDI
Comments One of my best choice for some time but wasn’t ready yet.
Lower resolution than DP6. can downscale SDI to component HD, great feature !
can downscale SDI to component HD, great feature ! the best known but really expensive too low resolution to be considered same panel as BT-LH900 = good quality
Lacks specific features for cinema

While writing this, I just noted Ikan already have a comparison chart, with the DP1, not the DP6. Of course, if you put the DP6 in it, you’ll see it have everything the Ikan have, plus better resolution.

The conclusion here is that the Ikan is cheaper with almost the same features. Actualy, back in april, the Ikan wasn’t released yet. Moreover it’s a big company, and as many others, they tend to release a new product and switch to the next one, meaning no improvement will be done. That’s another point for SmallHD. It’s a brand new (young) company with motivated people and few products : they have to be the best and will make it. Moreover the DP6 have the best resolution of all monitors.
I finaly decided to pre-order the SmallHD DP6, the new 5.6″ monitor (6″ external size) in April. The plan was to receive it late june to use it on the next short movie we done in july.

SmallHD came through some troubles with parts of the monitor and had to delay the release to late august. Most of the time, when this kind of thing happen, companies just refund and that’s it. NOT SmallHD.

They offered either to get refund OR get the monitor later PLUS a discount coupon on the store. I think the amount was dependent on the delays, early pre-orderer like me had almost 10% of the total price. GREAT.
UPDATE : SmallHD also paid interrests to people asking for a refund !!!

I finaly received the monitor in Quebec, Canada, where I was travelling. I had to trash the box there, so no picture of it. It’s a small box with the monitor well packed and secured in foam… good work.

But… oups… they forgot the battery !!!
Two emails and a week later the battery arrived at home, in France. Thanks !

Actualy I wasn’t able to use the DP6 until I get back to France. At this time the SATIS, the french biggest show for broadcast, cinema, lighting… was starting. I went there with the DP6. I had some tests with many camera like the Canon 5D, 1D or D60 or with Sony and Panasonic camcorders. I was about to test it on the ARRI Alexa but there was seriously too many people there… :)

Back at home I emailed SmallHD with all the improvements I think they can do on the SP6, like the « false color » feature existing on the Marshall monitors. I had a really quick answer from them (thanks Reed) and entered the Beta Testing group.

I’m now running the 1.2.1 BETA version of the firmware which includes the False Color feature.

Here are some pictures of the DP6 connected to the Sony PMW-EX1 using the HD-SDI cable.

The latest firmware version adds also a startup splash screen

Even if the pictures are not that good, let’s review the DP6 functions :

  • Default

There you can see the picture out of the EX1, configured with informations like battery, TC, sound. You also have the DP6 format selection, in green, on the top right of the image (SDI, 1080p).

  • Focus Help

When you activate the Focus Assist mode, using the right switch, the image changes to a « night view » where only the in focus points (edges) are in white. It’s almost the same as the EX1 feature where you have red (or any color configured) edges on the picture. Having the black backgorund for out of focus helps a little bit more. I’ll come back later with any comment on using this feature on stage.

  • False Colors


False Color is the new way to display your exposure on the screen. You can see all range of colors depending on the exposure if your scene. Black is for dark areas, then blue, orange, green, then white.
As this is a Beta version, I don’t have the real mapping between colors and real intensity, but I’m sure SmallHD will release it soon. Whatever, avoid yellow or white. This function is default on the middle switch of the DP6, which can now be used as a quick access switch.

  • Menus

The menus of the DP6 are arranged around the screen.
Top left are the image parameters, like color mode, contrast, brightness. Then the Advanced menu gives more screen control. Then Input menu gives the input selection : SDI, HDMI, YPrPb or Composite. Composite is using the green component input.
Last right menu is System to change backlight, USB power or reset to factory.
On the lower of the screen is the Misc menu with the menu opacity, the language (only english for now) and the version display.
Then the Picture In Picture (PIP) menu. It seems you can’t have SDI and HDMI at the same time for the moment. Will have to check that again but, eh, I never used the PIP feature of any of my screens :)
Latest menu is in the lower right and is the Preset menu. With the latest firmware you display it by turning the wheel from outside the menu. There you can select one of the 10 presets, PLAYBACK or DSLR REC menu. Both last are used with Canon 5D/7D as the display mode of these DSLR are not 16:9 compliant.

My DP6 is equipped with the battery and the screen protection. The DP6 have a neoprene protection sleeve. It also have a neoprene sunshield you can plug on the four corners of the display in few seconds.
See pictures under.

District 9 – le film

font Alors que nous attendons tous la suite de Secteur 13, Secteur 13 Niveau 2, voila que va bientôt sortir ce qui pourrait être le meilleur film d’action/science fiction de l’année.

Il s’agit de District 9, réalisé par Neill Blomkamp et produit par Peter Jackson, le même que celui de la trilogie du Seigneur des Anneaux, King Kong et le non moins célèbre Bad Taste.

Je vous conseil sérieusement d’aller sur le site web (en flash), qui vous donnera une idée de l’ambiance du film, et certainement des précisions sur l’histoire. De nombreuses vidéos précisent ce qui semble être l’arrivée d’aliens sur terre, en Afrique (du sud) et qui sont parqués dans des « centres », à la maniere des réfugiés ou des migrants clandestins actuels.

Sortie prévue le 16 Septembre 2009 !

Waiting for « Secteur 13, Niveau 2″

Yes, the movie is still in the pipe… We are waiting (or I am ?) for my new Mac to be able to finish few things and get back to work !
In the meantime, Pytou did some real good work on the visuals :
 

vlcsnap-365914-16-91

 

vlcsnap-24978

Bird of Prey – promoreel

Bird of Prey - promoreel

To see the full promoreel, Lire la suite de l’article »


Bird Of Prey, first week-end shooting

BoP - voiture1Bird of Prey is short i’m working on as camera assistant. BoP is featuring Matthieu Morandeau as director, Claire Winding and Eric Connor as actors.
You’ll find more on the movie once it’s done.

As it’s a « no budget » film, everybody have to be inventive to find cheap and easy solutions to many problems. One of them was shooting « out of the car » while moving.
Of course we don’t have any travelling car.

The solution was found by Claire and I. Here it is in picture :

Lire la suite de l’article »

Supporter le cinéma « de genre »

Eden Log

Voila le message que j’ai reçu a propos d’un nouveau film de science-fiction Francais :

Bonjour à tous,

Le cinéma de genre et de qualité est boycotté en france…une honte!

alors allez voire ce film!!!

Il est vendu dans le monde entier, va sortir en salle aux US par le distributeur Magnolia Pictures…et la France n’est pas capable de voire la qualité de ses réalisateurs et préfére sortir en masse des films du genre de « ce soir je dors chez toi » ou encore « L’auberge rouge »…
Défendez le cinéma de qualité et faites le déplacement pour défendre vos convictions.

EDEN LOG ne sort que dans 66 salles france… une mort pour un film. Déplacez vous et sauvez le cinéma!

Voici donc les salles qui diffuseront EDEN LOG à partir du 26 décembre prochain:SALLES PARIS:

PUBLICIS CINEMA

UGC ORIENT EXPRESS

GT AQUABOULEVARD

SALLES BANLIEUE PARISIENNE:

EPINAY MEGA CGR

TORCY MEGA CGR

EVRY MEGA CGR

MANTES LA JOLIE MEGA CGR

VILLENEUVE LA GARENNE MEGARAMA

GT DISNEY VILLAGE

PATHE BELLE EPINE

SALLES PROVINCE:

NANTES PATHE ST HERBLAIN

TOURS MEGA CGR

LA MEZIERE MEGA CGR

ST SATURNIN MEGA CRG

CAEN PATHE LUMIERE

LANESTER CINESTAR

TREGUEUX CINELANDES

CHERBOURG MEGA CGR

BOURGES MEGA CGR

BLOIS CAP CINE

REIMS GT

TROYES CINE CITY

BEAUVAIS CINESPACE

CHARLEVILLE METROPOLIS

ST QUENTIN CARILLON

COMPIEGNE MAJESTIC

STRASBOURG VOX

ST JULIEN KINEPOLIS

MULHOUSE KINEPOLIS

COLMAR MEGA CGR

SARREGUEMINES GD FORUM

AMNEVILLE GT

VESOUL MAJESTIC LUMIERE

LILLE KINEPOLIS

DUNKERQUE AMC

DOUAI MAJESTIC

HENIN BEAUMONT CINEVILLE

MAUBEUGE O’CINE

LIEVIN PATHE

BRUAY LA BUISSIERE MEGA CGR

BORDEAUX MEGARAMA

VILLENAVE D’ORNON MEGA CGR

BLAGNAC MEGA CGR

LA ROCHELLE MEGA CGR

TARNOS MEGA CGR

PAU MEGA CGR

BUXEROLLES MEGA CGR

NIORT CGR REX

PERIGUEUX CAP MONTAIGNE

MONTAUBAN CAP REPUBLIQUE

DAX GD CLUB

MONT DE MARSAN ROYAL

BRIGNAIS MEGA CGR

GRENOBLE REX

ST ETIENNE ROYAL

VIENNE AMPHI

BOURG EN BRESSE EDEN

CHAMONIX VOX

CHALONS/SAONE AXEL

LATTES MEGA CGR

TOULON ARIEL

CANNES OLYMPIA

NIMES KINEPOLIS

RIVESALTES MEGA CGR

VILLENEUVE LES BEZIERS MEGA CGR

CARCASSONNE CAP COLISEE

Merci d’avance de votre soutien!

A très bientôt à tous et vive le cinéma!

Encore une fois, c’est le Cinéma Français qui se tire dans le pieds. Apres la décision de UGC de ne plus supporter (et diffuser) les films de genre, c’est au tour des distributeurs de ne rien faire, préférant le bon film francais a l’acteur « bankable ». En allant plus loins, on se rendra compte que c’est toute une partie du cinéma Français qui est pourrit : subventions, gros budgets, sortie dans 300 salles pour des merdes comme « bronzés 3″ ou « Sa Majesté Minor », rien ou presque (avec des intermittents sous-payés) pour des films comme Eden Log

Tout le monde sait comment cela va finir : les gens vont le pirater et le regarder chez eux sur leur super ecran 46″ qu’ils se sont offert pour noel. Avec un peu de chance ils vendront des DVD.

J’espere que les distributeurs des autres pays qui ont acheté le film seront un peu moins stupides et le mettront en avant, au lieu de l’enterrer sans lui laisser une chance !