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Shoot35 CINEbox Mattebox review (Updated)


Shoot35 is a well known company in the Indie Film-making market. They first started with DoF adaptors for small cameras. I bought the SG-Blade, the latest revision of the DoF adaptor, that I’ve been using for two years now. It’s strong and functionnal and CHEAP, far cheaper than the Letus, which have nothing more to offer. I reviewed the SG-Blade here.

Then I also bought the Shoot35 Follow focus, revision 1, which was cheap and cheap. I mean, you have a good feeling when pulling focus but… it’s cheap. Again, they made a revision two which is far better and can compete with all the biggest brand. It’s a little more expensive though.

The last thing I needed was a Matte-box. I had to rent one on every time I had a serious work, with sometime some supprises. For example, a rental company gave us the mattebox but without the swing arm… And most of the time when you rent cheap you don’t have a swing arm, you have to take the MB off every time you change the lense, which can happen a lot depending on your DP :)

Shoot35 announced they Matte box some time ago. The first batch was gone in a minut, and the second also. But this time I was informed and ambushed to be able to order in the second ! And I got one !!

Here is my review with some pictures

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SmallHD 6″ HD field monitor

Back in april 2010 I ordered the DP6 monitor from SmallHD. At this time I was looking for a monitor with many inputs, good resolutions so you can pull focus seriously, something rugged and finaly, a monitor that accept the HD-SDI input from my video camcorder, the Sony PMW-EX1.

At this time the market was trusted by big companies. Hopefully they do good hardware. On the other side, it’s pricy.
Few years ago I involved myself in creating my own LCD field monitor. While I had a good LCD panel, the electronic board, the G2DI from Winmate, was bad for handling HD-SDI signal. Also, the firmware was closed with no possibility to add anything fancy without either paying Winmate to do it or pay the developper kit…

I had the chance to work in the french movie industry and worked with the more expensive monitors, like the Panasonic BT-LH900, the best screen to date, and some of the ASTRO multi-purpose monitor for digital intermediate (which was my position at this time).

Then came an outsider : a company claiming it can do better and cheaper -> SmallHD

I made a long technical comparison of every monitor that could fit my needs. I’ll try to sum this up here. This roundup is not the one I made back in time but one up to date, now the DP6 is here. Some monitor or brands may be forgoten but they seriously can’t compete. Please comment if I’m wrong.

Field Monitor Comparison
Brand Ikan Ikan SmallHD Panasonic Marshall Swit Carrion
Modele VX7 VX9 DP6 BT-LH900 V-LCD651
STX-3GSDI
any TCHD-01b
Screen Size 7″ 8.9″ 5.6″ 8.4″ 6.5″ 8.4″
resolution 1024 x 600 1024 x 600 1280 x 800 1024 x 768 1024 x 768 800 x 480 1024 x 768
Format 16:9 16:9 16:10 4:3 4:3 4:3
external size 9″ 11.4″ 6″ 11.4″ 8.8″ 10.7″
HD-SDI input 1 1 1 2 1 1 (model C has 2)
HD-SDI passthrough 1 1 1 1 1 1 (model C has 2)
HDMI input 1 1 1 0 0 yes through adapter on DVI input. also have VGA input
HDMI passthrough 0 0 0 0 0 0
Componant 1 1 1 1 1 1
Composite 1 1 1 1 1 1
Flip Screen yes yes yes yes yes yes
Markers yes yes not yet, future upgrade yes yes yes
Focus help Peaking ? Peaking ? Peaking
Color Focus Assist
Peaking Peaking,
focus assist
Not realy, can use sharpness
Exposition help no no False Color, Histogram soon Histogram /
waveform
False Color no
Freeze Frame yes yes yes no yes no
Blue Screen yes yes yes, also monochrome and negative yes yes yes
Buttons lots lots 3 lots lots some
Quick Access Buttons 2 2 2 ? 4 yes (?)
Power 12-20V plug or XLR4
support for many batteries from other brands
12-20V plug or XLR4
support for many batteries from other brand
5-18V with small not locked plug
external power, Canon batteries or special SmallHD batteries lasting 4h and can be charged while used
11-17V XLR4 or V-Mount batteries 12V XLR4 or many battery handlers 12V
Case Plastic Plastic Aluminium, black « unibody » style metal+plastic plastic metal
Bundeled Accessories none in standard version at the time, shoe mount adapter now none in standard version at the time, shoe mount adapter now flash drive for upgrade, power adapter ? none none
Existing Accessories lots lots Sunhood, screen protection, cables, Canon battery plug, SmallHD Batteries, support arm, much more Sunhood, house, rack mount heavy duty
protector,
rackmount,
arm…
none
Firmware Upgrade yes, return to factory yes, return to factory yes, via USB key provided, MAC/PC compatible no ? no ? no
Price 1049$ 1149$ 1299$ 4800$ 1750$
(2100$
normal price)
1750$ with one HD-SDI
Comments One of my best choice for some time but wasn’t ready yet.
Lower resolution than DP6. can downscale SDI to component HD, great feature !
can downscale SDI to component HD, great feature ! the best known but really expensive too low resolution to be considered same panel as BT-LH900 = good quality
Lacks specific features for cinema

While writing this, I just noted Ikan already have a comparison chart, with the DP1, not the DP6. Of course, if you put the DP6 in it, you’ll see it have everything the Ikan have, plus better resolution.

The conclusion here is that the Ikan is cheaper with almost the same features. Actualy, back in april, the Ikan wasn’t released yet. Moreover it’s a big company, and as many others, they tend to release a new product and switch to the next one, meaning no improvement will be done. That’s another point for SmallHD. It’s a brand new (young) company with motivated people and few products : they have to be the best and will make it. Moreover the DP6 have the best resolution of all monitors.
I finaly decided to pre-order the SmallHD DP6, the new 5.6″ monitor (6″ external size) in April. The plan was to receive it late june to use it on the next short movie we done in july.

SmallHD came through some troubles with parts of the monitor and had to delay the release to late august. Most of the time, when this kind of thing happen, companies just refund and that’s it. NOT SmallHD.

They offered either to get refund OR get the monitor later PLUS a discount coupon on the store. I think the amount was dependent on the delays, early pre-orderer like me had almost 10% of the total price. GREAT.
UPDATE : SmallHD also paid interrests to people asking for a refund !!!

I finaly received the monitor in Quebec, Canada, where I was travelling. I had to trash the box there, so no picture of it. It’s a small box with the monitor well packed and secured in foam… good work.

But… oups… they forgot the battery !!!
Two emails and a week later the battery arrived at home, in France. Thanks !

Actualy I wasn’t able to use the DP6 until I get back to France. At this time the SATIS, the french biggest show for broadcast, cinema, lighting… was starting. I went there with the DP6. I had some tests with many camera like the Canon 5D, 1D or D60 or with Sony and Panasonic camcorders. I was about to test it on the ARRI Alexa but there was seriously too many people there… :)

Back at home I emailed SmallHD with all the improvements I think they can do on the SP6, like the « false color » feature existing on the Marshall monitors. I had a really quick answer from them (thanks Reed) and entered the Beta Testing group.

I’m now running the 1.2.1 BETA version of the firmware which includes the False Color feature.

Here are some pictures of the DP6 connected to the Sony PMW-EX1 using the HD-SDI cable.

The latest firmware version adds also a startup splash screen

Even if the pictures are not that good, let’s review the DP6 functions :

  • Default

There you can see the picture out of the EX1, configured with informations like battery, TC, sound. You also have the DP6 format selection, in green, on the top right of the image (SDI, 1080p).

  • Focus Help

When you activate the Focus Assist mode, using the right switch, the image changes to a « night view » where only the in focus points (edges) are in white. It’s almost the same as the EX1 feature where you have red (or any color configured) edges on the picture. Having the black backgorund for out of focus helps a little bit more. I’ll come back later with any comment on using this feature on stage.

  • False Colors


False Color is the new way to display your exposure on the screen. You can see all range of colors depending on the exposure if your scene. Black is for dark areas, then blue, orange, green, then white.
As this is a Beta version, I don’t have the real mapping between colors and real intensity, but I’m sure SmallHD will release it soon. Whatever, avoid yellow or white. This function is default on the middle switch of the DP6, which can now be used as a quick access switch.

  • Menus

The menus of the DP6 are arranged around the screen.
Top left are the image parameters, like color mode, contrast, brightness. Then the Advanced menu gives more screen control. Then Input menu gives the input selection : SDI, HDMI, YPrPb or Composite. Composite is using the green component input.
Last right menu is System to change backlight, USB power or reset to factory.
On the lower of the screen is the Misc menu with the menu opacity, the language (only english for now) and the version display.
Then the Picture In Picture (PIP) menu. It seems you can’t have SDI and HDMI at the same time for the moment. Will have to check that again but, eh, I never used the PIP feature of any of my screens :)
Latest menu is in the lower right and is the Preset menu. With the latest firmware you display it by turning the wheel from outside the menu. There you can select one of the 10 presets, PLAYBACK or DSLR REC menu. Both last are used with Canon 5D/7D as the display mode of these DSLR are not 16:9 compliant.

My DP6 is equipped with the battery and the screen protection. The DP6 have a neoprene protection sleeve. It also have a neoprene sunshield you can plug on the four corners of the display in few seconds.
See pictures under.

Stabilisateur d’image : l’Aigle HDV (part 1)

produits_ccrII Dans les années 70, une petite révolution dans le monde du cinéma est apparue lorsque Garrett Brown inventa le SteadiCam (SteadyCam etant le nom largement utilisé, équivalent de « stabilisateur » en français). Je ne vais pas revenir sur toute l’histoire et les plans celebres, mais un qui fut remarqué se trouve dans « The Shining », lorsque la camera suit le garçon dans les couloirs sans fin (et sans rails de traveling…).

Depuis, les brevets du Steadicam est plus ou moins tombé dans le domaine public, meme si le nom reste lui une marque déposée.
Du coup, plusieures société se sont lancées dans la fabrication de stabilisateurs, plus ou moins cher et plus ou moins réussis. C’est le cas d’une entreprise Française, L’Aigle, qui a reussi sa propre révolution dans ce domaine : remplacer les ressorts et autres pistons par des elastics !!!

L’Aigle Paris est donc une « petite » entreprise Francaise qui à sue remettre à jour les differents types de stabilisateurs existants pour offrire du materiel de qualité pro au prix… mini. La ou un stabilisateur de « grande » marque (comprendre de chez Steadicam) peut couter plus de 20.000, la gamme de prix de l’Aigle reste inferieur à 10.000€.

Mais alors, quelles sont les différences pour générer un tel écart ?

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Nikon 80-200mm f/2.8 AF-D ED on EX1+SGBlade

31LQ8-ZasKL._SL500_AA280_2A few weeks ago I met a french guy, living close to where I live in the 11th district of Paris. He is supposed to be a photographer, but had great interrest in the EX1 ans the Shoot35 SG BLade 35mm adapter.
I proposed him to come over at my place for a demo.
He came, at my request, with some of his Nikon lenses : 80-200mm f2.8 zoom and a 105mm f2.8 macro.
We tried both lenses on the blade : SUBLIME !!

 

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Euphonix MC Transport config files

Check my articles about Euphonix’s MC Transport controler here and there.
If you install the software for every user on the computer (maybe you don’t have the choice, can’t remember), every defined application will have a corresponding preference file.
On my computer they are in « /Library/Application Support/Euphonix/UserSets/MC2User/MC_USER_SET__Root »

  1. prunemp:tmp prune$ ls -l /Library/Application\ Support/Euphonix/UserSets/MC2User/MC_USER_SET__Root
  2. total 744
  3. -rw-r–r–  1 prune  admin  174271  1 nov 18:01 Final Cut Pro.xml
  4. -rw-r–r–  1 prune  admin   74407 25 oct 02:23 Safari.xml
  5. -rw-r–r–  1 prune  admin   50407  1 nov 20:09 VLC.xml
  6. -r–r–r–  1 prune  admin   21894 21 avr  2009 default.xml
  7. -rw-r–r–  1 prune  admin   45115 25 oct 02:40 iTunes.xml

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Euphonix MC Transport usage [EDIT]

Second part of the test.

First thing to do is register your controler. Go the the Euphonix support’s website.
My Euphonix
This is where you’ll find the software download, the email support link and the docs.

When everything is working, as explained in previous post, you should have the green « € » in the top right of the menu, and the controler should display the name of the software you are actualy using (safari ? firefox ?)

I had some controler « freeze » at some point. Then, the controler keeps displaying the same application name, whichever application is in focus. For the moment, the only solution I found is to power-off the controler, go in the EuControl settings (the only way to get acces to the menu) and quit.
Then, restart the EuControl application, wait until the menu icon stop rolling, then power-on the controler.
As I said, I emailed the support about that without any real answer. I openned a new case today… we’ll see…

If you are using a supported application the controler comes pre-configured. This is not the case for most basic applications like Safari, Firefox, iTunes or even the finder.
While the MC Transport is not made for that specificaly, configuring these applications will help us understand how the controler work.

Basic notions :

  • accessing the configuration
  • EuControl Settings EuControl Settings-1
    you have two ways to do that : clic on the green icon in the menu and go to the settings -> « soft keys » tab or, simply, clic on the « eye » key on the controler, at the lower left of the keypad.

  • activating the jog/shuttle
  • Before beeing able to use the jog or shuttle you have to enable it. Most of the time the activation key is the first soft key for the jog and the second for the shuttle. When switching into an application, every key should be off (no light). clic again to activate

  • changing the color of transport keys
  • Colors
    You can change the color of the transport keys (the one arount the shuttle). The 2 first and 2 last keys can be yellow or red. The 3 keys in the middle can be yellow or green. For the moment, I haven’t found a way to light a key or change its color depending on the action. I openned a case to the support to have more informations. For example, keeping the key green while pressed, or changing the color at every clic… Another request, which may be linked, is having two actions for the same key. This way, you can have a yellow key. When first clic, send the « play » shortcut of the application and turn to red. When pressed again, send the « stop » or « pause » keystroke and turn back to yellow… I hope the support will give a clue on how to do that, or add support in the next software release :)

    The pdf manual will lead you through the configuration process, which is really easy for the basic stuffs. Let’s write down a walkthrough…
    All this is done in the configuration software, not the controler.

    - select the button to assign
    - give a name in the « soft key label » box AND press enter to validate
    - change the font or color if needed
    - clic on « command… » or double-clic on the button
    - clic on the « add » menu and select what to do. Most of the time it will be « key », and if you want to make the button an activation button for the jog or shuttle, use « wheel »
    - enter a keystroke or a list of them. Doing this enable you to do scripts
    - you can add more option, again, to script the button

    If you’re programming the button to activate the wheel, select wheel and a custom function.
    If you’re programming the wheel, you have to :
    - clic on the « + » sign and give a name to the « command »
    - as you do when programming a key, add a keystroke or another function. This will be used when turning the wheel right (clockwise) by default
    - clic on the « turn jog right » menu and change to « turn jog left »
    - add the keystroke used when turn anti-clockwise

    If you’re programming the shuttle, this is a little bit different. You can add action for each of the 15s step of the wheel (-7 -> 0 -> +7) and for each transition (0 ->1, 1->2 …) and the other way around (2->1, 1->0…)

    These are the basics. I’ll try to give examples in the next post :)

    [EDIT]
    Now that I have my disk array working, I had another try.
    Once again, the MC Transport stayed locked on the « Mail » application. This is not the first time, and for the moment, the only answer from the support was « disable firewall in your mac » and « start the audio mixer of FCP ». These answers were done after 10 days, or more. Seriously, Euphonix, what are you doing here ?

    If this happen to you, follow these steps :
    - power off the MC Transport
    - go in the green « € » icon -> « EU Control Settings »
    - go to the menu and quit
    - poweron the MC Transport and wait until the « Euphonix » logo appear
    - start the EU Control application. The menu icon should turn to green.

    For the moment, while the hardware is perfectly built, I can’t say the software is working fine… If you haven’t bought yet, WAIT !
    Euphonix team, if you read this, I’m willing to spend some time debugging for you. Just provide me a beta software, or one with extra debug. But please, stop giving stupid answers.

    12Tb RAID for cheap with Hitachi 2Tb drives

    brand It’s been some time now that i’m fighting with Seagate for they damn 1.5To drives not working as they should.
    Hitachi finaly released 2Tb drives with good throughoutput and price.
    While trying not to be screwed a second time, I started buying only 2 drives. Grosbill, a french reseller, have them for 164€. These two were labelled from August 2009, with firmware 10D.
    As everything was working fine, with slightly better results than the 1.5Tb Seagate drives (without RAID, of course), I bought 6 more from Macway. They used to be specialised in Apple hardware but now have standard hardware with really good price : 157€. These drives were labeled September 2009 with firmware 20N. Hopefully, they also work as expected : they did not break the compatibility in firmware upgrade :)

    For the moment I havn’t seen any manual firmware upgrade tool to have every drives in the same version. Actualy, this is even better : if you can, always choose drives with different firmware and series for RAID arrays : you will not have all your drives failing in case of a bug related to the production.

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    Euphonix MC Transport is here (one month late) [Edited]

    icon_transport_tour The MC Transport I ordered back in August, to be shipped the 9 of September was finaly shipped on the 5th of October… And it’s finaly here !
    For your personal reminder :

  • Product : MC Transport
  • Manufacturer : Euphonix
  • Protocol used : EuCon (TM) via ethernet -> can work with any computer on the lan
  • Application support : Mac, for FinalCut Studio, Cubase, Logic and many more, with the Mackie support and other driver features.
  • Availlability : october 05 2009 (now)
  • Product URL : Euphnix MC Transport
  • Let’s first take a look at the packaging.
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    Euphonix MC Transport control surface

    This is not a news, but a requesto for comment. Everyone knows about the MC Transport from Euphonix.
    But should I, or not, buy this control surface for Final Cut editing ?

    transport-overview

    This gives you a lot more than the Shuttle Pro2. It work on ethernet and the driver enable it to be used with almost any software !
    Around 400€… availlable around right now…

    Should I or not ? :)

    50mm and 35mm nikon lenses

    Just received the 35mm f1.4 and 50mm f1.2 I bought on ebay. This is a quick versus test.
    First, the pics of the two 50mm lenses :
    50mm
    50mm face
    As you can see, the f1.2 is clearly bigger than the f1.8. You really have the feeling of a real good lense with the 1.2.

    Then, pics of the two 35mm :
    35mm 35mm face
    There, not much difference. The f1.4 is just a little bigger, but you still have a better feeling with it.

    Now, the test on the EX1 + SGBlade and RotoRazor 1 (1080@25p) :

    EX1 + SGBlade Nikon lense test By sebastien thomas
    View in HD  Download 720p HD Version  Visit sebastien thomas’s ExposureRoom Videos Page